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| Edge of the Empire |
| The Work we are going about is this, To dig up Georges-Hill and the waste Ground thereabouts, and to Sow Corn, and to eat our bread together by the sweat of our brows. And the First Reason is this, That we may work in righteousness, and lay the Foundation of making the Earth a Common Treasury for All, both Rich and Poor, That every one that is born in the land, may be fed by the Earth his Mother that brought him forth, according to the Reason that rules in the Creation. |
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| Dorothy Cross: Come Into the Garden |
| Radio Broadcast: "Maude Delap and Jellyfish". |
| Reviews,
of recent radio programme,
and review of sciart project with her brother Tom. |
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| From Zero to Nothing in No Time |
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| Nothing is impossible. Or, put another way, nothing is a concept so fraught with paradox and contradictions that it defeats definition. The flipside of nothing is something and each attempt to consider the idea of nothing reveals yet another thing or entity - no matter how mundane, microscopic or previously imperceptible. In such circumstances, it becomes more useful to discuss the importance of the concept to human culture and the various guises in which it has persisted through history. |
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| WEEKLY
RANDOM LINK |
destroyevil.com
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This week's highlighted website from Randomstate - www.davidharding.org
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davidharding.org
Readers of this website will discern that my interests lie in the field of public art and social/political art in both practice and education; in practice, in terms of my own work and that of many other artists; in education, in terms of how that practice can be taught in art schools.
The Public Art Index is an annotated bibliography of magazine and newspaper articles on the subject.
Articles Essays Lectures
I have no claim to be a 'writer.' That was not my line of work. But over the years I have been moved to write when I felt something was important to me. At other times I have been prevailed upon to do so by editors of newspapers, magazines, catalogues or conference reports. This is a selection writings some of which, in the process of publishing, had to be cut and amended. These appear here in the original version. I have resisted the temptation to revise and amend them and have limited myself to the odd correction. Of course rereading them one can be embarrassed by what one has written years before. However, as they stand, they reflect the views and thoughts that seemed to me right at the time.
David Harding
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